Not only a place where hackers, researchers and artists meet, but also a platform for reflecting and modifying culture through the lens of politics, as generated by the developments in communications technologies.

"We argue for a new term, diffractive art practices, and suggest that such art practices move beyond the bifurcation of NMA and MCA to partially reconfigure the practices between art, computation and humanities."

Daniel Langlois Foundation for Art, Science, and Technology aims to further human knowledge by supporting artistic, scientific and technological research.

Contemporary Lynx spoke to Vesna, a media artist and a professor, whose work explores how communication technologies can affect collective behaviour in relation to scientific innovation.

McCray’s research reveals the ways in which experimental arts and sciences collaborations of the past opened up opportunities for today’s interdisciplinary relationships at universities and corporations.

Bock proposes a critical theory around the issues at stake in the crossover, particularly with regard to contemporary spatial experience and its implications for subjectivity.

A timely survey that addresses the relationship between art and electronic technology, including mechanics, light, graphics, robots, virtual reality and the web.

Close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installation, mapping art, and information sculpture.

While Media Art has evolved into a critical field at the intersection of art, science and technology, a significant loss threatens this art form due to rapid technological obsolescence and static documentation strategies.

The Intermedia Art, Writing and Performance (IAWP) unit is an interdisciplinary digital arts and humanities research unit with a practice-based PhD.