This book analyses the methodology behind developing installation art with contemporary materials and technology.

Sculpture/Installation students experiment with the making and transformation of three-dimensional objects in relation to other components, such as space, sound, text and images.

"New Media Installation" offers a fascinating look into the world of technology-based art installations, with a global selection of artists and works.

Christina Yglesias reviews "A Capsule Aesthetic: Feminist Materials in New Media Art" by Kate Mondloch.

Your Progress Will Be Saved is the first part of a new project from the Manchester International Festival (MIF) called the “Virtual Factory,” which is essentially a virtual art gallery built using Fortnite’s creative mode.

As drones buzz overhead inside the pitch-black space, you don’t realize you’re being watched until it’s too late.

“The Constant Gardeners” by Jason Bruges Studio draws inspiration from the aesthetic and craft of the traditional zen garden and from the sportsmen and women who carefully perfect their movements to train and excel in their fields.

In a first, New York’s ARTECHOUSE invites Shohei Fujimoto for his solo exhibition, Intangible Forms, which features five artworks by the Japanese creator.

Bouman critiques Marclay’s installation "The Clock" (2010) and investigates what sets it apart from other installations and films.

Ross proposes that Horsfield’s work is an original contribution to examine the apparent incompatibility between new media art’s presentist inclination and the sense of history.