McCray explores how immersive art differs from other art forms that produce art objects.

Japanese immersive powerhouse teamLab is no stranger to copyright disputes but the booming art form is still a difficult subject in legal terms.

“David Hockney: Bigger & Closer (not smaller & further away)” at the Lightroom in London will use digital projection and audio technology to deliver a journey through Hockney’s world.

This work allows you to discover the most recent trends in the art of new media and provides the keys to understanding and analyzing the work of these resolutely contemporary creators.

Spingarn-Koff reviews "Tatsuo Miyajima's Floating Time", an immersive installation in which the environment is a form of time, presented at the SFMOMA's exhibit "{010101: Art In Technological Times}".

“Art immersif, affect et émotion” will be of interest to audiences who value experience as a source of theorization and to artists, cultural workers, professors and students of installation art and interactive media aesthetics.

Montreal-based artist Rafael Lozano-Hemmer is brining his mesmerizing interactive art experience Cercanía to the Arsenal Contemporary Art gallery in St-Henri.

Created by French-Canadian creative director Mathieu St-Arnaud and his team at Montreal’s Normal Studio, Beyond Van Gogh is an immersive experience showcasing over 300 of the artist’s works.

The original immersive exhibit with massive digital projections has returned to NYC.

In a former foundry in eastern Paris, art gets a huge canvas in a multi-sensory experience from museum foundation Culturespaces.