Close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installation, mapping art, and information sculpture.

An embracive, multi-perspective tour through and beyond Nordic artistic experiments, conceptual reconfigurations and new modes of artistic agency.

The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts.

Sweeney examines how digital artists have embraced the concept of the error or glitch as a form for freedom—imperfection or dysfunction can be an integral element of the project.

Presenting the latest technological developments in arts and culture, this volume demonstrates the advantages of a union between art and science.

This book is concerned with emergence, interaction, art and computing. It introduces a new focus for emergence in interactive art: the emergent experience.

The history of Europe as media history.

Etats seconds brings together works from 1995 through 2008, raising inevitable questions about how to situate this oeuvre in relation to visual art and music.

“Expanded Internet Art” is the first comprehensive art historical study of “expanded” internet art practices.

ACCA’s summer season exhibition "Feedback Loops" presents six immersive installations that explore the material and digital worlds of our past, present and speculative futures.