Tangible/Intangible

The Sound of Sculpture

Cover for Tangible/Intangible

Description

Commissioned in association with the Govett-Brewster’s 2018 exhibition Sensory Agents, Tangible/Intangible: The Sound of Sculpture looks to sculptural practices that explicitly employ sound as a medium.

Scholar and curator Caleb Kelly explores the development of sound arts through sculptural form and installation practices. The practices that he investigates uncover a changing understanding of the nature of sculpture itself and a new perspective of the importance of the senses in our appreciation of the arts. Tangible/Intangible includes examples from a diverse range of international artists such as Laurie Anderson, Vicky Browne, Eric Demetriou Rafael Ferrer, Rebecca Horn, Paul Kos, Len Lye, Ross Manning, Max Neuhaus, Jean Tinguely, Takis and Pia van Gelder.

Tangible/Intangible: The Sound of Sculpture is published as part of the Govett-Brewster’s STATEMENTS series of commissioned essays.

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Year Published
2020
Language
English
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Ensure to confirm that the following bibliographic entries are correct before submitting papers with them. We generate these to help out, however we cannot guarantee that they are correct in all cases.

MLA
Kelly, Caleb. Tangible/Intangible: The Sound of Sculpture. Edited by Sarah Wall, Pivotal, 2020.
Chicago
Kelly, Caleb. Tangible/Intangible: The Sound of Sculpture. Edited by Sarah Wall. Wellington, New Zealand: Pivotal, 2020.
APA
Kelly, C. (2020). Tangible/Intangible: The Sound of Sculpture (S. Wall, Ed.). Pivotal.
BibTex
@book{Kelly2020Tangible, publisher = {Pivotal}, address = {Wellington, New Zealand}, title = {Tangible/Intangible: The Sound of Sculpture}, author = {Kelly, Caleb}, editor = {Wall, Sarah}, date = {2020}, year = {2020}, }