Survival of the fittest - Nature and high-tech in contemporary art

Authors

We Make Money Not Art

March 16, 2020

Tega Brain, Julian Oliver and Bengt Sjölen, Asunder, 2019
Tega Brain, Julian Oliver and Bengt Sjölen, Asunder, 2019 (Source)

Excerpt:

The installations, videos and sculptures selected by curator Milena Mercer look at the ambiguous role that technology can play in shaping the future of our planet. Each in their own way, these artworks navigate the tensions between a techno-solutionist discourse that celebrates technology as the ultimate answer to the effects of climate change and, on the other hand, the more critical voices that see in our faith in technology one of the main drivers of the ecological crisis.

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MLA
Debatty, Régine. “Survival of the Fittest - Nature and High-Tech in Contemporary Art.” We Make Money Not Art, 16 Mar. 2020, https://we-make-money-not-art.com/survival-of-the-fittest-nature-and-high-tech-in-contemporary-art/.
Chicago
Debatty, Régine. “Survival of the Fittest - Nature and High-Tech in Contemporary Art.” We Make Money Not Art (blog), March 16, 2020. https://we-make-money-not-art.com/survival-of-the-fittest-nature-and-high-tech-in-contemporary-art/.
APA
Debatty, R. (2020, March 16). Survival of the fittest - Nature and high-tech in contemporary art. We Make Money Not Art. https://we-make-money-not-art.com/survival-of-the-fittest-nature-and-high-tech-in-contemporary-art/
BibTex
@misc{Debatty2020Survival, author = {Debatty, R{\' e}gine}, year = {2020}, month = {mar 16}, title = {Survival of the fittest - {Nature} and high-tech in contemporary art}, howpublished = {https://we-make-money-not-art.com/survival-of-the-fittest-nature-and-high-tech-in-contemporary-art/}, }