The Immersive Installation as Feminist Intervention

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, Sep 21, 2020
Cover for “A Capsule Aesthetic: Feminist Materialisms in New Media Art”
Cover for “A Capsule Aesthetic: Feminist Materialisms in New Media Art”

Excerpt:

Mondloch offers a refreshing counternarrative, showing how these artists thoughtfully refigure spectatorship and viewership to explore complex themes of embodiment, relationships between the human and nonhuman, and interaction with technological interfaces.

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Ensure to confirm that the following bibliographic entries are correct before submitting papers with them. We generate these to help out, however we cannot guarantee that they are correct in all cases.

MLA
Yglesias, Christina. “The Immersive Installation as Feminist Intervention.” Criticism, vol. 62, no. 4, Wayne State University Press, Sept. 2020, pp. 635–38, doi:10.13110/criticism.62.4.0635.
Chicago
Yglesias, Christina. “The Immersive Installation as Feminist Intervention.” Criticism 62, no. 4 (September 21, 2020): 635–38. https://doi.org/10.13110/criticism.62.4.0635.
APA
Yglesias, C. (2020). The Immersive Installation as Feminist Intervention. Criticism, 62(4), 635–638. https://doi.org/10.13110/criticism.62.4.0635
BibTex
@article{Yglesias2020Immersive, address = {Destroit, United States of America}, author = {Yglesias, Christina}, journal = {Criticism}, number = {4}, year = {2020}, month = {sep 21}, pages = {635--638}, publisher = {Wayne State University Press}, title = {The {Immersive} {Installation} as {Feminist} {Intervention}}, volume = {62}, }