Live multimedia performance for string quartet, electronic music and panoramic visuals, based on the concept of “graphic sonification”.
Choreography and Gesture in Robotic Artworks
John Lucy investigates the work of William Forsythe as it inspires him.
Toledo’s “Echo Chamber”
A critique of Luis Toledo’s "Echo Chamber", which Christa Sommerer presented during her keynote for the Leonardo 50th Anniversary Celebration at Concordia University.
Q&A with Luis Toledo
Janson Blanchet interviews Toledo about his interactive installation "Echo Chamber" and asks him a few questions about media art.
Imagination in Media Arts: Technological Constraints and Creative Freedom
Media artists explore a wide range of techniques for developing art. [...] The question examined here is whether these techniques can be integrated into shared, multi-dimensional frameworks for use by a larger community.
The Crossover of New Media Immersion and Site-Specificity: Contemporary Art and Spatial Experience
Bock proposes a critical theory around the issues at stake in the crossover, particularly with regard to contemporary spatial experience and its implications for subjectivity.
Historicizing Art And Technology: Forging A Method And Firing A Canon
Shanken investigates why there is no comprehensive technological history of art, as there are histories of art with other angles.