Stand-alone device that manages grains of rice. Electronics, rice.
Featured Project
Prosperity II

"Unstable Intermediated Forms" by Rob Feulner and Sam Meech
Beginning November 11, 2021, TOPO announces a new exhibition in the showcase with a media proposal by artists Rob Feulner and Sam Meech.
June and July 2021 Content Additions
June and July 2021 Content Additions
How Women Artists Have Been Marginalized in the Blockchain Discourse
These women artists have been developing the creative possibilities within blockchain technology since the beginning.
Generative Art’s Tools from Flash and Processing to Neural Networks
How software has made generative methods accessible to artists, from the 1990s to today.
This feminist suit makes eye contact with the men gazing at it
The provocative garment challenges the male gaze—even in circumstances that invite you to look.
010101: Art for Our Times
Spingarn-Koff reviews "Tatsuo Miyajima's Floating Time", an immersive installation in which the environment is a form of time, presented at the SFMOMA's exhibit "{010101: Art In Technological Times}".
Making art with artificial intelligence
Eryk Salvaggio teaches AI systems to create art. What does it say about our connection to technology?
VUK ĆOSIĆ: A perspective on the myth of the origins of the net.art
"There are two stories about the origins. The story that is most seen published around is actually false."
Historicizing Art And Technology: Forging A Method And Firing A Canon
Shanken investigates why there is no comprehensive technological history of art, as there are histories of art with other angles.
The Crossover of New Media Immersion and Site-Specificity: Contemporary Art and Spatial Experience
Bock proposes a critical theory around the issues at stake in the crossover, particularly with regard to contemporary spatial experience and its implications for subjectivity.
"Just Art": Contemporary Art After the Art Formerly Known As New Media
Dietz discusses whether or not its valuable to make a distinction between Media Art and Contemporary Art.
Curating New Media
"I am interested in the distinctive properties of net art—what makes it a thing that is like no other?—but more as possibilities than requirements; as permeable across boundaries rather than fixed; and as transient over time."