"Unstable Intermediated Forms" by Rob Feulner and Sam Meech

Beginning November 11, 2021, TOPO announces a new exhibition in the showcase with a media proposal by artists Rob Feulner and Sam Meech.

June and July 2021 Content Additions

June and July 2021 Content Additions

Meet black beyond, the collective centring Black femmes in the world of digital art and design

The collective is expanding the horizon of digital art, bringing Black femmes to the forefront in its new exhibition, _origins.

Realtime Art Manifesto

"Realtime 3D is the most remarkable new creative technology since oil on canvas. [...] This manifesto is a call-to-arms for creative people to embrace this new medium and start realizing its enormous potential. [...]"

010101: Art for Our Times

Spingarn-Koff reviews "Tatsuo Miyajima's Floating Time", an immersive installation in which the environment is a form of time, presented at the SFMOMA's exhibit "{010101: Art In Technological Times}".

Jason Bruges Studio presents “The Constant Gardeners”, a monumental outdoor robotic art installation

“The Constant Gardeners” by Jason Bruges Studio draws inspiration from the aesthetic and craft of the traditional zen garden and from the sportsmen and women who carefully perfect their movements to train and excel in their fields.

VUK ĆOSIĆ: A perspective on the myth of the origins of the net.art

"There are two stories about the origins. The story that is most seen published around is actually false."

Help, it’s 1,000 trillion degrees in here! The Big Bang artwork that makes scientists cry

What would it have been like to be inside the Big Bang? We meet the ultra-hi-tech art duo who are using light, sound and sub-atomic astro data to recreate the biggest explosion ever.

Historicizing Art And Technology: Forging A Method And Firing A Canon

Shanken investigates why there is no comprehensive technological history of art, as there are histories of art with other angles.

The Crossover of New Media Immersion and Site-Specificity: Contemporary Art and Spatial Experience

Bock proposes a critical theory around the issues at stake in the crossover, particularly with regard to contemporary spatial experience and its implications for subjectivity.

"Just Art": Contemporary Art After the Art Formerly Known As New Media

Dietz discusses whether or not its valuable to make a distinction between Media Art and Contemporary Art.

Curating New Media

"I am interested in the distinctive properties of net art—what makes it a thing that is like no other?—but more as possibilities than requirements; as permeable across boundaries rather than fixed; and as transient over time."