May 2021 Additions

Content referenced and added during May 2021.

Episode VII. Glitch Art and the Other Side of Failure

“The Uncanny Valley” is Flash Art’s new digital column offering a window on the developing field of artificial intelligence and its relationship to contemporary art.

The Warhol Files: Andy Warhol’s Long-Lost Computer Graphics

Arcangel discusses Warhol's experiments with digital art, and how such digital art could be preserved.

From Net Art to Digital Art

Vaufrey investigates the boundaries of net.art and its role in society.

"Entanglement" is a multisensory exhibition at the Venice Biennale tackling the impact of data

"Entanglement" explores the materiality of data and the interwoven human, environmental, and cultural impacts of communication technologies.

The Early History of Women in the Digital Arts

“New Media Futures” is poised to become a valuable study tool for those interested in the intersection between art, women artists, and technology.

Artist and Concordia grad Rafael Lozano-Hemmer shines a light on the U.S.-Mexico border

His “BorderTuner” project bridged the cities of El Paso and Ciudad Juárez last November.

Marco Brambilla On Fragmenting 'Nude Descending' Across Maison Margiela's Soho Store

designboom spoke with Marco Brambilla about the reconfiguration of shapes and movements for "Nude Descending a Staircase no.3" at Maison Margiela.

Historicizing Art And Technology: Forging A Method And Firing A Canon

Shanken investigates why there is no comprehensive technological history of art, as there are histories of art with other angles.

The Crossover of New Media Immersion and Site-Specificity: Contemporary Art and Spatial Experience

Bock proposes a critical theory around the issues at stake in the crossover, particularly with regard to contemporary spatial experience and its implications for subjectivity.

"Just Art": Contemporary Art After the Art Formerly Known As New Media

Dietz discusses whether or not its valuable to make a distinction between Media Art and Contemporary Art.

Curating New Media

"I am interested in the distinctive properties of net art—what makes it a thing that is like no other?—but more as possibilities than requirements; as permeable across boundaries rather than fixed; and as transient over time."